A Stuga On the Cusp of the Orust Riviera, tucked away next to a hobbit hole in the woods.
Description: Considered the enfant terrible of the Polish avant-garde, lauded by critics and scorned by the public, Bruno Jasieński suddenly declared the end of Futurism in Poland soon after his short “novel” The Legs of Izolda Morgan, appeared in 1923. An extraordinary example of Futurist prose, this fantastic tale explores how the machine has supplanted the human while the human body is disaggregated into fetishized constituent parts. As one of the central texts in Jasieński’s oeuvre, it is situated between two seminal manifestoes and the important essay “Polish Futurism,” which signaled the movement’s end in the context of its confused reception in Poland, the towering influence of Mayakovsky, and what set it apart from the futurisms in Italy and Russia. The condensed story “Keys” shows Jasieński’s turn toward satire to lambaste the pervasive hypocrisies of powerful institutions, and this is further developed in the two longer grotesques from his time in the Soviet Union in the 1930s. Translated into English from the Russian for the first time, these two late stories expose the nefarious absurdity of racial persecution and warmongering and the lengths social and political structures will go to underpin them.
1: To the Polish Nation: A Manifesto on the Immediate Futurization of Life Krakow April 20th 1921
Stanisław Brzozowski, 1878-1911. A Polish philosopher, writer, publicist, literary and theatre critic. He is considered to be one of the most important Polish philosophers of all time and is known for his concept of the ‘philosophy of labour’.
Stanisław Przybyszewski,1868–1927. A Polish novelist, dramatist, and poet of the decadent naturalistic school. In 1896 he was arrested in Berlin for the murder of his common-law wife Martha, but released after it was determined that she had died of carbon monoxide poisoning.
2: Nife in the Gutt: 2nd Phuturist Pamflet Essay Krakow 1921.
3: Exposé Essay
4: The Legs of Izolda Morgan
Well, this is quite a grotesque Luddite story. The villain of the piece is machinery and the opposition is the human body, which can be deconsructed to suit the fetish of another.
5: Polish Furturism: An Accounting Essay
6: Keys Opens out with a 600 year old weather-beaten crucifix hanging in a niche near a vestible entrance.
7: The Nose: Satire on Nazi Eugenics.
8: The Chief Culprit First World War story. There is a moment in this where the concept of those returning from hospital to the front were more often killed straight away. Are there stats to back this up? What is that saying about things? Could it be that the return to normality takes the stuffing out of the bravura needed to maintain edge at the frontline.
Thanks to Don for sharing this book with me via a kindle library loan, the second of such kind actions. I was pleased to have a stab at this, however a mixed bag garners mixed reception. I had little time for the essays however the short stories were interesting, especially the re-vamping of Gogol’s ‘The Nose’ into a frame of Nazi Eugenics against the Jews.
** Interesting link sent through from Miss M: Polish Cultural Institute